Abstract：Because she was full of anxiety and sadness in the more and more austerely realistic social and political environment, Ru Zhi juan preferred to blenching, clipping and cleaning the grand narrative in her fiction creation in 1950-1960s, in order to catharsis her own inner anxiety by inventing a set of ideal routine human relations emotion discourse spaces in texts as mental pot. This kind of compensating secrete creative psychological mechanism of Ru Zhi juan had the definite universality in revolutionary literature discourse order of the day.
