Abstract：In the mid 1940s， Ma Fantuo’s Folk Song was an unique cultural phenomena in KMT-controlled areas. Although the poet Yuan Shuaipai(Ma Fantuo) used many kinds of folk resources， his “Folk Song” was actually a kind of “Urban Song”，which produced in the journalism field of Chongqing and Shanghai. On one hand， the “Folk Song” used the newspaper as a media， whose materials came from all kinds of news， editorials， and developed a kind of journalism sensibility by organizing and editing all kinds of materials， inherently connecting the “poetics of essay” created by Lu Xun in 1930s. On the other hand， the funny style of the “Folk Song” was in accordance with the orientation of tabloid and evening newspaper，forming cross-style and cross-media interation with skits， burlesques and caricature in newspaper， reflecting the social ambivalence at the turn of a historical period. In a word，discussing the formation of Ma Fantuo’s Folk Song in journalism field provides a new perspective to understand the rebuild of the new poetry’s form and function in 1940s.
姜 涛. “集纳”空间与“马凡陀山歌”的生成[J]. 华中师范大学学报（人文社会科学版）, 2018, 57(4): 95-104.
Jiang Tao. The Journalism Field and the Formation of Ma Fantuo’s Folk Song. journal1, 2018, 57(4): 95-104.
2018, Vol. 57 
