Abstract：British art critic Roger Fry holds a global artistic critical perspective. He advocates a critical approach which perceives emotion and thought of artistic works by soul in order to get insight into inner life experience and significance of works. Such a critical approach is similar to traditional Chinese categories of Zhi Ren Lun Shi(the precondition of criticism is to know the world and the author) and Yi Yi Ni Zhi(the critical aim is to perceive emotion and thought through soul)， which is fully presented in Fry’s Chinese and European art criticism. Fry’s contribution to art criticism is of two aspects： to advance to aesthetic criticism from Dilthey’s literary criticism， Ruskin’s moral criticism and Pater’s impressionist criticism， and to push forward the blending of traditional and contemporary arts and world arts.
高 奋. “知人论世”与“以意逆志”：罗杰·弗莱艺术批评与中国传统批评的相通性[J]. 华中师范大学学报（人文社会科学版）, 2021, 60(3): 98-106.
Gao Fen. On Commonness of Roger Fry’s Art Criticism and Traditional Chinese Criticism. journal1, 2021, 60(3): 98-106.
2021, Vol. 60 
