2025年04月06日 星期日 主页   |   首页   |   期刊介绍   |   编 委 会   |   投稿指南   |   期刊订阅   |   编辑队伍   |   留言板   |   联系我们   |   English
华中师范大学学报(人文社会科学版)  2025, Vol. 64 Issue (1): 61-71    
  本期目录 | 过刊浏览 | 高级检索 |
嘉靖时期抗倭战事下铙歌、凯歌的生成图景及其变体意义
窦瑜彬
(华中师范大学 国家文化产业研究中心, 湖北 武汉 430079)
The Generative Mechanism and Significance of the Variants of the Military Anthems and Victory Songs in the War against Japanese Pirates during Jiajing Period
Dou Yubin
(National Research Center of Cultural Industries, Central China Normal University, Wuhan 430079)
全文: PDF (1469 KB)   HTML (1 KB) 
输出: BibTeX | EndNote (RIS)      
摘要 明代嘉靖间东南倭患导致了严重的国族危机,东南士林由此产生极为强烈的精神震荡与心理挫折。在胡宗宪等一众东南将领实现廓清海宇、平定寇氛的历史功勋后,士人的挫辱之感迅速转化为集体性的文学颂美意识,产生了一批具有现实指向性的铙歌、凯歌作品。这一时期的文学书写多以国之方召为比附,凸显东南阃帅兴衰拨乱的中兴之意,同时借助铺张威烈的创作题旨回应国家彦嘉武事的历史要求及治倭策略的复杂转变。在文辞表征上,作品多以音节粗厉、意气杀伐为风格特点,作者通过战阵之事的绾结保留了战时、战势中的戎伍之气,并以想象式的巨物之态及迅疾飙驰的场景构造彰显了国家中兴之际挞伐诛暴的震慑意义,与古奥典雅的传统礼乐篇制形成了显著分野,呈现明显的变体形态。士人对文学风貌的自觉改良指向了嘉靖间文禔武嬉、国势衰微的现实弊病,这一文学现象的发生亦与倭患背景下儒生武士化的性情改造息息相关。
服务
把本文推荐给朋友
加入我的书架
加入引用管理器
E-mail Alert
RSS
作者相关文章
窦瑜彬
关键词 嘉靖时期 抗倭战争 铙歌 凯歌 乐府变体    
Abstract:During Jiajing period of the Ming Dynasty, the southeastern pirate threat (known as “Wokou”) became a national crisis, causing extremely strong spiritual shock and psychological setbacks among the intellectual elites of the southeast. After Hu Zongxian and other generals achieved historical feats of clearing up the sea and pacifying the enemy, the sense of humiliation among the intellectuals was quickly transformed into a collective literary eulogistic consciousness. A number of victory songs and military anthems were created. The poems often used Fangshu and Zhaohu as metaphors to highlight the southeastern generals' ambition to revitalize the nation after chaos,and also respond to the historical demands of military endeavors and the complex shifts in counter-pirate strategies. In terms of style, these works were mostly characterized by rough and vigorous rhythms and a martial spirit. The authors retained the military atmosphere by incorporating the events of the battlefield,and emphasized the deterrence of punishing the tyrants during the national revival with imaginary giants and swift and dynamic scenes. The distinct variant form marked a significant departure from the traditional elegant ritual and music compositions. The intellectuals' conscious modification of literary style pointed to the realistic problems that civil officials were at ease, while military officers were wandering around having fun, and the national power was declining during Jiajing period. This literary phenomenon was closely related to the militarization of the temperament of Confucian scholars under the threat of Japanese pirates.
Key wordsJiajing period    War against Japanese pirates    victory songs    military anthems    literary transformation
收稿日期: 2025-01-24     
引用本文:   
窦瑜彬. 嘉靖时期抗倭战事下铙歌、凯歌的生成图景及其变体意义[J]. 华中师范大学学报(人文社会科学版), 2025, 64(1): 61-71.
Dou Yubin. The Generative Mechanism and Significance of the Variants of the Military Anthems and Victory Songs in the War against Japanese Pirates during Jiajing Period. journal1, 2025, 64(1): 61-71.
链接本文:  
https://journal.ccnu.edu.cn/sk/CN/     或     https://journal.ccnu.edu.cn/sk/CN/Y2025/V64/I1/61
版权所有 © 《华中师范大学学报(人文社会科学版)》编辑部
本系统由北京玛格泰克科技发展有限公司设计开发 技术支持:support@magtech.com.cn