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Abstract In Chi Li's current works, there is an obvious inclination in her observing male, which can be divided into three kinds: the perspective of the female character, the perspective of the female character and the narrator, and the perspective of the female narrator. Different perspectives lead to different attitudes towards male. Her works turn the traditional female's status in the novels, who used to be observed, into the ones of observing male. This is the transcendence of female body writing which makes the femal novels extricate itself from a passive and isolated position.
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Received: 25 June 2002
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