|
|
|
| Review and Thinking on Study of Line Arrangement of Modern Chinese Poetry |
| Wang Zelong Gao Zhouquan |
| School of Chinese Language and Literature， Poetry Research Center， Central China Normal University， Wuhan 430079 |
|
|
|
|
Abstract As an important feature that distinguishes Chinese modern poetry from classic poetry， line arrangement is a significant theme which is worth exploring in poetic form study. In general， the study on line arrangement of modern poetry has formed the following directions： line arrangement and new aesthetic experience， line arrangement and new rhythm construction， line arrangement and new art practice of enjambment. However， as line arrangement study is based on the combination with other poetic elements， some complicated poetic issues haven’t been explained adequately， such as the relationship between line arrangement and modern poetry stylistic construction， and the influence of foreign poetry ideas and artistic forms on line arrangement. So it is necessary to establish new problem consciousness on line arrangement study， make further researches， and provide enlightenment to poetic construction of new poetry.
|
|
Received: 11 July 2018
|
|
|
|
| [1] |
Ye Qiongqiong. Modern Chinese Function Words and the Construction of Rhythm in Mu Dan's Poetry[J]. journal1, 2024, 63(3): 123-132. |
| [2] |
Wang Zelong. The Revolution and Reconstruction of the Sound of New Poetry[J]. journal1, 2023, 62(5): 105-113. |
| [3] |
Gao zhouquan. On the Relationship Between Line Arrangement and Rhythm of Modern Poetry[J]. journal1, 2021, 60(1): 97-105. |
| [4] |
Jin Xinli. Science and the Modern Revolution of Aesthetic Preference of Chinese Poetry[J]. journal1, 2019, 58(4): 71-77. |
| [5] |
Zhang Lu. The Melodising of New Chinese Textual Poetry[J]. journal1, 2018, 57(4): 121-128. |
| [6] |
. [J]. , 2016, 0(1): 0-0. |
|
|
|
|
2018, Vol. 57 
