|
|
|
| Survey on the Hehuai Poetry in the Northern Dynasty of China |
| Lu Lu |
| (Research Center for Urban Culture, School of Humanities, Shanghai Normal University, Shanghai 200234) |
|
|
|
|
Abstract The Hehuai region was one of the most developed regions in culture and the most prosperous in poetry creation during the Northern Dynasty. It is known that more than 60 literati composed more than 100 poems here. This region also includes the Central Plain and Qilu cultural areas. The Central Plain originally had profound cultural accumulation, and was also the political and cultural center for most of the time in ancient Chinese history, where scholars gathered. Therefore, this area was the most important place for poetry creation in the Hehuai region, accounting for about 90% of the poetry produced in this region. In the Central Plain of the Northern Dynasty, poems were mainly for the purpose of responding to the emperor, expressing feelings and composing poems of joint authorship, and there was also the preliminary attempts to the seven-character interlocutory rhymes in the Northern Dynasty. The poetry creation in Qilu extended to Jiaodong Peninsula and the description of the sea area at the junction of the Yellow Sea and Bohai Sea appeared in poetry for the first time. The investigation and analysis of Hehuai poetry in the Northern Dynasty can also provide a basis for the study of the poetic history and literary geography in this period.
|
|
Received: 18 March 2022
|
|
|
|
| [1] |
Chen Aizhong. Contextual Intertextuality: Li Jinfa's Theory of New Poetry Creation[J]. journal1, 2024, 63(2): 129-136. |
| [2] |
Xu Gang. The Descension of Poetry and the De-Territorialization of Poets——Revisiting Guo Moruo’s Contemporary Poetry[J]. journal1, 2022, 61(6): 127-134. |
| [3] |
Gao zhouquan. On the Relationship Between Line Arrangement and Rhythm of Modern Poetry[J]. journal1, 2021, 60(1): 97-105. |
| [4] |
Li Rong. The Game Between Language and Reality: On Poetry After the 1990s[J]. journal1, 2020, 59(6): 79-87. |
| [5] |
Wu Huaidong Huang Xiaoyu. Wei Yingwu’s Learning Process on Lankavatara Sutra and Its Influence[J]. journal1, 2020, 59(1): 113-121. |
| [6] |
Zhang Kaicheng. The Basic Forms and Limitations of Poetic Language in the Early 1990s——Centering on the Analysis of the Verbal Icon of “Square”[J]. journal1, 2019, 58(6): 164-171. |
|
|
|
|