Abstract：The critical theory represented by Adorno’s cultural industry theory is the first paradigm of Chinese mass culture criticism， which holds the standpoint and methodology of total negation of mass culture， and is called “Adorno model”. This paradigm has not influenced the critical discourse of Chinese mass culture for a long time， and was soon criticized and denied. The intelligentsia has criticized and reflected on “Adorno model” from multiple perspectives， and experienced a deep thinking process from literature to philosophy and from modernization to modernity. After examining the three approaches of criticism， negation and reflection of contemporary Chinese liberalism， post-modernism and Marxism out of “Adorno model”， this paper further analyzes the conceptual differences of these three approaches on Chinese modernity， so as to deeply reveal the advantages and vitality of Marxism in contemporary China.
吕红霞. 走出“阿多诺模式”的现代性反省[J]. 华中师范大学学报（人文社会科学版）, 2019, 58(5): 133-139.
Lu Hongxia. A Modernity Reflection on Walking Out of “Adorno Model”. journal1, 2019, 58(5): 133-139.
2019, Vol. 58 
